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Carl Larsson
bildhuggarkonsten
johan tobias sergel i sin atelje med carl michael bellman. alfresco 1896
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Carl Larsson
arkitekturen
nicodemus tessin d.y overlamnar ledningen av slottsbygget till carl harleman
alfresco 1896
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Carl Larsson
konstens beskyddare och nationlmusei grundlaggare
gustaf lll mottar antika skulpturer i logarden, kungl slottet
alfresco 1896
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Carl Larsson
bildhuggarkonsten
johan tobias sergel i sinatelje med carl michael bellman svar och vit limfarg varen 1896
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Carl Larsson
david klocker ehrenstahl malar karl
alfresco 1896
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Carl Larsson
konstundervisningen
konstskolans upprinnelse, guillaume taravals riskola pa kungl. slottet
alfresco 1896
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Carl Larsson
flicka i rod klanning
akvarell 1896
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Carl Larsson
portratt av martha winslow
akvarell 1896
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Carl Larsson
sanct goran
litografi
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Carl Larsson
verandan
ingar i ett hem publicerad 1899
akvarell troligen hosten 1896
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Carl Larsson
i hagtornshacken
ingar i larssons publicerad 1902
akvarell 1897
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Carl Larsson
kaktus-lisbeth i ateljen
akvarell 1897
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Carl Larsson
brita i blomrabatten
akvarell 1897
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Carl Larsson
vila
akvarell troligen 1897-98
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Carl Larsson
ryktet
skiss till plafonden i operans foaje
farglagd teckning
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Carl Larsson
kampasangen
troligen 1896
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Carl Larsson
karusellen
troligen 1896
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Carl Larsson
jenny lind
troligen 1896
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Carl Larsson
stenborg och fru olin
akvarell troligen 1896
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Carl Larsson
folkvisan
akvarell troligen 1896
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| Carl Larsson
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Swedish Realist Painter, 1853-1919
Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.
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